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The End of Summer

by Jon Airdrie and the Enablers

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1.
Sit. Listening to the little birds chirping Watch the swifts Careering ahead Feel the sun’s heat even early in the morning Emerald trees breezing With the air from the south But summer’s nearly gone And the grey skies will soon be returning With the cold Summer’s nearly gone Chance of adventuring, Trysts in warm woodland They have escaped us Walk through fields and forest to the little beach Collect sticks For an unnecessary fire With some wine, I bought from the village shop soon after it opened Drunk slowly Between word’s and finger’s touch We shall eat breakfast outside on the tiny table And the landscape and each person Are our friends We will laugh. We will bumble through strong sunshine Like the crows Flap in the space above the field And a couple are kissing on an old seat Leafy with love The unworn world still lives I have my new dress, and green and blue its colour I am unselfconscious My speech overflows Summer’s nearly gone.
2.
The Green 03:48
Walked the oval of road, round to the green In heat and in cold and all in between The children, hand-held-high, tight-roping the wall None had it in mind we’d age at all There on the green There on the green There we were walking to, playing on the green We walked through brick and trees to the green But few can remember the pavement that we’d been We went early morning within summer sun’s glare And then – and now also – dusk would find us walking there I don’t remember that one walk to the green But I sat on the bank and the scene was a dream Knowing that for the first time a father I’d be Just remember thinking everything would change utterly Walk the oval of road and onto the green And while we were there your mother would clean And Hoover and prepare a bland dish for tea The children ate on folding table in front of the tv Your father put stickers on jars citing calories Of the content of each. While we played on the green And neither them there now, nor the children, not you nor me We’ve all gone away - that’s the way things turn out to be
3.
4.
Hear the old songs near that ancient place I can taste our very air Comfortable in the room we were sitting in But are you wearing black sitting there? Both the love and the guilt – feelings mainly done They’ve lost the present’s glare Even recounting them may have distanced them But are you wearing black waiting there? And the sanctioned loss I’ve told few of But when I do I relate it straight and fair For me it’s a difficult tale to tell But are you wearing black lying there? I’m back in that room. My God, I’m back in that room Wearing the clothes I used to wear I gaze, wistfully, at the window and see You, wearing black, leaning there I hold your trust like an icon I stole From a country church in County Clare I’ve carried it with me through all the years But are you wearing black, back praying there? Your language perched upon my tongue It was something I started to share But I notice you silent at the window now And wearing black, silhouetted there And you upon the slice of beach Running, throwing, laughing, without a care And then you tearfully singing with a broken wing Wearing black while pacing there Yes, you upon the slice of sand And in the fields, blissfully unaware That it wouldn’t be long before we’d be away from this place I see you wearing black, wandering there You were happy to let me in I remember you warm and fragile and bare Are you dressed head to toe in mourning clothes now Dressed in black, head to toe, standing there? The plucked steel stings, the long space between Each note played solid, without flair Returns me in peace to a time of ease But are you dressed in black, listening there?
5.
I am walking Up the high street Planning to spend My seven pounds fifty On a necessary Luxury – A new fountain pen. Oh, the words I’ll write, the ideas I’ll express Mainly from the heart, though the rational I’ll address: Supporting or negating some argument. And when we go to the hills it will be you Who will warm me and cook my food After I’ve scraped and I’ve washed every root And we will savour even a basic vegetable (So it is and what will be? I have my mind, I'll think freely. Back to you I'll always come, Sad as times but never numb) I am walking Up he high street I see you smiling Walking towards me Your thin dress Your offer Of sanctuary and more Oh, the bleating heart, here it found some rest Not a mind this time to weigh up what was best Take the healing. Take what is simple. Sing out the peace I am walking Up the high street I have my dreams I have my talent I have my love and There is nothing Too complex Oh, the pain of things, before and pain to come Never thinking then of a man I would become I have my love. I have my books in my backpack.
6.
Calling Out 04:22
I’m calling out to you, my pretty one Will you take the strain, or am I just projecting? Calling out to you, my brightest star Can you lift the heart or are all these just my dreams? We tarried winter through Ate the winter cabbages Woke up at dawn Bedded at dusk Consumed very little Drank the stream’s water Censored our words Conserved our energy Now the summer’s here The ground is rich No need to conserve We can touch. We can even dance So why the lack of words, The absence of embrace, The swift and silent cropping Of the old asparagus? Light canopies the land There is a warm wind Across the meadow All creatures are leaping And every burden Of the winter Has vanished But my heart is sinking.
7.
May the crack of light awake you Striking through the curtain’s slit With a landscape that is waiting for you To be conscious of it So still, so still. Small birds sing Glissando through the air Little to do. Listen to breath. May this morning find you there There’s been pain in the past Doubtless there’s pain to come But may you find a morning like this And share it with someone May you walk tall through towering trees Down the path towards the sea Keep stopping to admire something To watch, to listen out of curiosity So still; so still. Waves glide in You watch each break without a care May you find a place like this And may some morning find you there
8.
Patrick K 03:24
You speak kindly and your words are warm From courtesy you never waver But that’s the total of the lexicon For I am not your flavour I think one time you might have thought of me As a potential saviour My priestly face could offer advice But I am not your flavour I’ve never been one to sense the chemistry Never open to a woman’s quaver But whatever dullness is my wont It’s clear I am not your flavour Oh, you were bruised, your fingers bent I came to you as a first aider You thanked me, oh, so graciously But I was not your flavour Your daddy wants the best for you After all, you’ve been an A grader My clothes, my age, my job, my class Means I am not your flavour You ask me to do whatever you wish And I’d drop anything to provide a favour But that’s me, putting off the certainty That I am not your flavour
9.
I’d driven this way so many times And this time as I drove I was listening to the old songs While on familiar roads Why am I returning? Why continually come back As if there’s something here to find As if I left something behind As if I saw then and now I’m blind To the brightest light To the deepest black? There’s a junction I remember From about 1985 And something of my mood as I reach it Remains plausibly alive While yesterday is dead to me, as is the day before The days from then they still revolve Needing reliving, something still to solve Some substance of the heart that won’t dissolve And I drive This road once more.
10.
My heart is elsewhere. Here the long hill rises up My heart is elsewhere. Down the hill and to the sea And the silence is clutching at the moonlight My heart is elsewhere. Holding one tiny hand And in the other the lake washed in sunlight There is ease with this simple mind-reading Lay you down; ease you through to the morning Let your bright eyes close so that they might shine again In the morning. And a great morning awaits you Oh fall to sleep, fall to sleep, and happy wake again My heart is elsewhere. I am striding the long beach With the sun, gold on the wave tops. But my heart is elsewhere With scarce clouds enhancing the sky’s beady watchfulness My heart is elsewhere. For to read and be read Is completeness. And there was completion In that hopeless finding.
11.
Get Up! 05:16
Those who were linked are leaving So, I suppose, I must leave too They have places where they are needed They have plenty of things to do So, I make my lists and iron The clothes that I might take When you’ve grown with disappointment Your heart is fashioned never to break Get up you man! And start to sing I’m not quite certain where I’m going And I won’t notice when I arrive I’ve taken note of dry sand and the flooded beach But I’ve never really spotted a turning tide I try not reach out for others Then leave harm in my wake For when you’re used to disappointment Your heart is fashioned never to break I see some to their terminal Others, I wave off down the road I smile and wish them all the best: I enter a goodbye mode There’s sorrow in my stomach Though my well-wishing is not fake For when you’re used to disappointment Your heart is fashioned never to break
12.
Hill Houses 06:47
The door is still there but there’s no one in Water filled milk cartons hold down damp tarpaulin To save some wide stone walls, but much of it moved. And in a paint-peeled outbuilding there’s one of a pair of shoes And some manuscript paper, a child’s plastic plane A map of Dyfed not quite sheltered from the rain There’s a harmonium soft to the touch, a tin full of nails Fragile as faith here in the damp hills of Wales A three legged dresser in a room where the plaster falls And curled photos in a suitcase open in the hall Bright-coloured wallpaper, carefully applied Home for the fungus now, a breeding place for flies By the crumbling fireplace, a bed with dried straw beneath A clatter of stairs chase to the hole in roof A Japanese motorbike rests on an outside wall An upturned table on the barnyard floor Flecks of curtains but no one’s eyes look out With the table cloth sets up a meal for the no one about Vital papers and notes await in the drawers For the eager eyes of the no-one who explores A steel framed bench sits under a tree Shapeless of spine; frame twisting free Not from the heaviness of touch of the weary bent arms Of the no-one who takes rest here from the work of the farm Cars, a van from around 1982 Stand beside the steamlet’s side, two by two; On the table, books relating to theology A kettle waiting for no-one’s time for tea I put down my ledger and my pen Outside the sun is setting earlier again I’ve a strong wish to talk about time moving on I look around, all those I might talk to have gone

about

The second album with the Enablers, with the band being joined by Martha Lee (vocals) and Josh Lee (guitar) of Platform 1.

Much influenced by the work and (contrary) character of poet, Patrick Kavanagh - an impressionistic and assimilatory reading of both.

credits

released May 9, 2020

Jon Airdrie - basic guitars, piano, organ, brass and string arrangements
Jem Ponsford - drums and backing vocals
Martha Lee - vocals and backing vocals
Andy Ponsford - bass
Josh Lee - seven string electric guitar
Julie Bailey - six string electric guitar on track #1

Engineered and co-produced by Mike Hopkins of Towpath Studio during the spring of 2020.

Artwork by: V. Airdrie, J. Matthews and T. Valentine. Image manipulation by A. Ponsford.

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Jon Airdrie and the Enablers Newport, UK

The Enablers is a band/project having the central notion of bringing a core number of people together to fashion a collection of songs, and then to record these songs, capturing the mood of the time - the mood both of the compositions themselves and of the band for the project's duration. To date, there have been eight Enablers. ... more

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